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The devil in the white city : murder, magic, and madness at the fair that changed America
2003
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Fiction/Biography Profile
Awards
2003 - National Book Award for Nonfiction nominee
2003 - CWA Dagger for Non-Fiction nominee (Short-list)
2003 - Bram Stoker Award for Superior Achievement in Non-Fiction (preliminary ballot)
2003 - International Horror Guild Award for Best Non-Fiction winner
Genre
NonFiction
History
True Crime
Topics
Architects
Psychopaths
Mass murder
Serial killers
American history
Setting
Chicago, Illinois - Midwest (U.S.)
Time Period
1890s -- 19th century
Large Cover Image
Trade Reviews

  Library Journal Review

Before the turn of the 20th century, a city emerged seemingly out of the ash of then dangerous Chicago, a dirty, grimy, teeming place ravaged by urban problems. Daniel Burnham, the main innovator of the White City of the 1892 World's Fair, made certain that it became the antithesis of its parent city, born to glow and gleam with all that the new century would soon offer. While the great city of the future was hastily being planned and built, the specially equipped apartment building of one Herman Webster Mudgett was also being constructed. Living in a nearby suburb and walking among the hundreds of thousands of visitors who would eventually attend the fair, Mudgett, a doctor by profession more commonly known as H.H. Holmes, was really an early serial killer who preyed on the young female fair goers pouring into Chicago. Using the fair as a means of attracting guests to a sparsely furnished "castle" where they ultimately met their end, Holmes committed murder, fraud, and numerous other crimes seemingly without detection until his arrest in 1894. Both intimate and engrossing, Larson's (Isaac's Storm) elegant historical account unfolds with the painstaking calm of a Holmes murder. Although both subjects have been treated before, paralleling them here is unique. Highly recommended.-Rachel Collins, "Library Journal" (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Publishers Weekly Review

This is a steady performance of a book that, while gripping in its content and crisply paced, isn't quite a gold mine for an audio performer. It relies on journalistic narration and includes almost no quotes, so there isn't much chance for interesting characterization. But it is excellent nonfiction, chronicling the hurly-burly planning and construction of the 1893 Chicago World's Fair (which did, as the title suggests, include building what amounted to an entire city) and a cruelly calculating sociopath who used the event's tumult and crowds to serve his homicidal compulsion. Goldwyn is an experienced narrator with a keen dramatic sense, and his resonant voice is well-suited to the project. Music is used only sparingly, but the few subdued, creepy bars Goldwyn reads over in the beginning do an excellent job of creating atmosphere for a tale that is subtle but often genuinely unsettling. Listeners will also be fascinated by descriptions of the sheer logistics of the fair itself, which serve as not only carefully crafted and informative history, but also as welcome breaks from the macabre and relentless contrivances of the killer. In all, it's a polished presentation of an intriguing book that outlines the heights of human imagination and perseverance against the depths of our depravity. Simultaneous release with the Crown hardcover (Forecasts, Dec. 16, 2002). (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
Summary
In The Devil in the White City, the smoke, romance, and mystery of the Gilded Age come alive as never before. <br> <br> Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.<br> <br> Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.<br> <br> The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.<br> <br> To find out more about this book, go to http://www.DevilInTheWhiteCity.com.
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