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The Devil wears Prada
2003
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Fiction/Biography Profile
Characters
Andrea Sachs (Female), Personal assistant, Jewish, Recent college graduate; junior assistant to the editor of the world's top fashion magazine; hoping by putting up with Miranda she will get a top job at any magazine of her choosing
Miranda Priestly (Female), Magazine editor, Married, Mother, Andrea's boss; very bossy and pushy
Genre
Fiction
Livre a clef
Humor
Topics
Young women
Magazine editors
Fashion industry
Office politics
New York society
Magazines
Fashion
Socialites
City life
Setting
New York - Mid-Atlantic States (U.S.)
Time Period
2000s -- 21st century
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Trade Reviews

  Library Journal Review

This chic read is sure to take the fashion world by storm, although the literary world may find it lacking. Weisberger, former assistant to Vogue editor Anna Wintour, has created a fictionalized tell-all la Emma McLaughlin and Nicola Kraus's The Nanny Diaries. Andrea is a nice Jewish girl from suburban Connecticut who, as Weisberger repeatedly tells us, lands "a job a million girls would die for" as assistant to Miranda Priestly, the imperious editor of Runway magazine. But the job is more like indentured servitude with a one-year contract; 14-hour days are de rigueur and encompass such delights as sorting Miranda's laundry, fetching her lunch, and responding instantly to such commands as "Ahn-dre-ah, hand me a scarf." The carrot at the end of the stick is the promise of a dream job with The New Yorker, which somehow makes palatable Miranda's invectives and the ensuing downhill slide of Andrea's personal life. This fast-paced black comedy has enough dirt to please any fashionista but should serve as fair warning for every girl who dreams of working at a fashion magazine. Despite the pedestrian writing, the prepublication buzz on this novel is big, so buy for demand. [Previewed in Prepub Alert, LJ 2/1/03.]-Stacy Alesi, Southwest Cty. Regional Lib., Boca Raton, FL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Publishers Weekly Review

Most recent college grads know they have to start at the bottom and work their way up. But not many picture themselves having to pick up their boss's dry cleaning, deliver them hot lattes, land them copies of the newest Harry Potter book before it hits stores and screen potential nannies for their children. Charmingly unfashionable Andrea Sachs, upon graduating from Brown, finds herself in this precarious position: she's an assistant to the most revered-and hated-woman in fashion, Runway editor-in-chief Miranda Priestly. The self-described "biggest fashion loser to ever hit the scene," Andy takes the job hoping to land at the New Yorker after a year. As the "lowest-paid-but-most-highly-perked assistant in the free world," she soon learns her Nine West loafers won't cut it-everyone wears Jimmy Choos or Manolos-and that the four years she spent memorizing poems and examining prose will not help her in her new role of "finding, fetching, or faxing" whatever the diabolical Miranda wants, immediately. Life is pretty grim for Andy, but Weisberger, whose stint as Anna Wintour's assistant at Vogue couldn't possibly have anything to do with the novel's inspiration, infuses the narrative with plenty of dead-on assessments of fashion's frivolity and realistic, funny portrayals of life as a peon. Andy's mishaps will undoubtedly elicit laughter from readers, and the story's even got a virtuous little moral at its heart. Weisberger has penned a comic novel that manages to rise to the upper echelons of the chick-lit genre. Agent, Deborah Schneider. (Apr. 22) Forecast: Author readings in New York, the Hamptons, Dallas, Miami, Boca Raton, Atlanta, San Francisco and L.A. should target moneyed young women, as should a photo of the author's youthful face on the book's back cover. The publisher's hoping this will be the next Nanny Diaries, and with all the promo and pre-pub chatter in the New York Observer, Salon and elsewhere, it just might. (c) Copyright PWxyz, LLC. All rights reserved
Summary
The deliciously witty and delightfully dishy novel about life at a glamorous fashion magazine is now a major motion picture from 20th Century Fox, starring Meryl Streep and Anne Hathaway, set to open in theaters on June 30.
Table of Contents
1
The light hadn't even officially turned green at the intersection of 17th and Broadway before an army of overconfident yellow cabs roared past the tiny deathtrap I was attempting to navigate around the city streets. Clutch, gas, shift (neutral to first? Or first to second?), release clutch, I repeated over and over in my head, the mantra offering little comfort and even less direction amid the screeching midday traffic. The little car bucked wildly twice before it lurched forward through the intersection. My heart flip-flopped in my chest. Without warning, the lurching evened out and I began to pick up speed. Lots of speed. I glanced down to confirm visually that I was only in second gear, but the rear end of a cab loomed so large in the windshield that I could do nothing but jam my foot on the brake pedal so hard that my heel snapped off. Shit! Another pair of seven-hundred-dollar shoes sacrificed to my complete and utter lack of grace under pressure: this clocked in as my third such breakage this month. It was almost a relief when the car stalled (I'd obviously forgotten to press the clutch when attempting to brake for my life). I had a few seconds--peaceful seconds if one could overlook the angry honking and varied forms of the word "fuck" being hurled at me from all directions--to pull off my Manolos and toss them into the passenger seat. There was nowhere to wipe my sweaty hands except for the suede Gucci pants that hugged my thighs and hips so tightly they'd both begun to tingle within minutes of my securing the final button. My fingers left wet streaks across the supple suede that swathed the tops of my now numb thighs. Attempting to drive this $84,000 stick-shift convertible through the obstacle-fraught streets of midtown at lunchtime pretty much demanded that I smoke a cigarette.
"Fuckin' move, lady!" hollered a swarthy driver whose chest hair threatened to overtake the wife-beater he wore. "What do you think this is? Fuckin' drivin' school? Get outta the way!"
I raised a shaking hand to give him the finger and then turned my attention to the business at hand: getting nicotine coursing through my veins as quickly as possible. My hands were moist again with sweat, evidenced by the matches that kept slipping to the floor. The light turned green just as I managed to touch the fire to the end of the cigarette, and I was forced to leave it hanging between my lips as I negotiated the intricacies of clutch, gas, shift (neutral to first? Or first to second?), release clutch, the smoke wafting in and out of my mouth with each and every breath. It was another three blocks before the car moved smoothly enough for me to remove the cigarette, but it was already too late: the precariously long line of spent ash had found its way directly to the sweat stain on the pants. Awesome. But before I could consider that, counting the Manolos, I'd wrecked $3,100 worth of merchandise in under three minutes, my cell phone bleated loudly. And as if the very essence of life itself didn't suck enough at that particular moment, the caller ID confirmed my worst fear: it was Her. Miranda Priestly. My boss.
"Ahn-dre-ah! Ahn-dre-ah! Can you hear me, Ahn-dre-ah?" she trilled the moment I snapped my Motorola open--no small feat considering both of my (bare) feet and hands were already contending with various obligations. I propped the phone between my ear and shoulder and tossed the cigarette out the window, where it narrowly missed hitting a bike messenger. He screamed out a few highly unoriginal "fuck yous" before weaving forward.
"Yes, Miranda. Hi, I can hear you perfectly."
"Ahn-dre-ah, where's my car? Did you drop it off at the garage yet?"
The light ahead of me blessedly turned red and looked as though it might be a long one. The car jerked to a stop without hitting anyone or anything, and I breathed a sigh of relief. "I'm in the car right now, Miranda, and I should be at the garage in just a few minutes." I figured she was probably concerned that everything was going well, so I reassured her that there were no problems whatsoever and we should both arrive shortly in perfect condition.
"Whatever," she said brusquely, cutting me off midsentence. "I need you to pick up Madelaine and drop her off at the apartment before you come back to the office." Click. The phone went dead. I stared at it for a few seconds before I realized that she'd deliberately hung up because she had provided all of the details I could hope to receive. Madelaine. Who the hell was Madelaine? Where was she at the moment? Did she know I was to pick her up? Why was she going back to Miranda's apartment? And why on earth--considering Miranda had a full-time driver, housekeeper, and nanny--was I the one who had to do it?
Remembering that it was illegal to talk on a cell phone while driving in New York and figuring the last thing I needed at that moment was a run-in with the NYPD, I pulled into the bus lane and switched my flashers on. Breathe in, breathe out, I coached myself, even remembering to apply the parking brake before taking my foot off the regular one. It had been years since I'd driven a stick-shift car--five years, actually, since a high school boyfriend had volunteered his car up for a few lessons that I'd decidedly flunked--but Miranda hadn't seemed to consider that when she'd called me into her office an hour and a half earlier.
"Ahn-dre-ah, my car needs to be picked up from the place and dropped off at the garage. Attend to it immediately, as we'll be needing it tonight to drive to the Hamptons. That's all." I stood, rooted to the carpet in front of her behemoth desk, but she'd already blocked out my presence entirely. Or so I thought. "That's all, Ahn-dre-ah. See to it right now," she added, still not glancing up.
Ah, sure, Miranda, I thought to myself as I walked away, trying to figure out the first step in the assignment that was sure to have a million pitfalls along the way. First was definitely to find out at which "place" the car was located. Most likely it was being repaired at the dealership, but it could obviously be at any one of a million auto shops in any one of the five boroughs. Or perhaps she'd lent it to a friend and it was currently occupying an expensive spot in a full-service garage somewhere on Park Avenue? Of course, there was always the chance that she was referring to a new car--brand unknown--that she'd just recently purchased that hadn't yet been brought home from the (unknown) dealership. I had a lot of work to do.
I started by calling Miranda's nanny, but her cell phone went straight to voice mail. The housekeeper was next on the list and, for once, a big help. She was able to tell me that the car wasn't brand-new and it was in fact a "convertible sports car in British racing green," and that it was usually parked in a garage on Miranda's block, but she had no idea what the make was or where it might currently be residing. Next on the list was Miranda's husband's assistant, who informed me that, as far as she knew, the couple owned a top-of-the-line black Lincoln Navigator and some sort of small green Porsche. Yes! I had my first lead. One quick phone call to the Porsche dealership on Eleventh Avenue revealed that yes, they had just finished touching up the paint and installing a new disc-changer in a green Carrera 4 Cabriolet for a Ms. Miranda Priestly. Jackpot!
I ordered a Town Car to take me to the dealership, where I turned over a note I'd forged with Miranda's signature that instructed them to release the car to me. No one seemed to care whatsoever that I was in no way related to this woman, that some stranger had cruised into the place and requested someone else's Porsche. They tossed me the keys and only laughed when I'd asked them to back it out of the garage because I wasn't sure I could handle a stick shift in reverse. It'd taken me a half hour to get ten blocks, and I still hadn't figured out where or how to turn around so I'd actually be heading uptown, toward the parking place on Miranda's block that her housekeeper had described. The chances of my making it to 76th and Fifth without seriously injuring myself, the car, a biker, a pedestrian, or another vehicle were nonexistent, and this new call did nothing to calm my nerves.
Once again, I made the round of calls, but this time Miranda's nanny picked up on the second ring.
"Cara, hey, it's me."
"Hey, what's up? Are you on the street? It sounds so loud."
"Yeah, you could say that. I had to pick up Miranda's Porsche from the dealership. Only, I can't really drive stick. But now she called and wants me to pick up someone named Madelaine and drop her off at the apartment. Who the hell is Madelaine and where might she be?"
Cara laughed for what felt like ten minutes before she said, "Madelaine's their French bulldog puppy and she's at the vet. Just got spayed. I was supposed to pick her up, but Miranda just called and told me to pick the twins up early from school so they can all head out to the Hamptons."
"You're joking. I have to pick up a fucking dog with this Porsche? Without crashing? It's never going to happen."
"She's at the East Side Animal Hospital, on Fifty-second between First and Second. Sorry, Andy, I have to get the girls now, but call if there's anything I can do, OK?"
Maneuvering the green beast to head uptown sapped my last reserves of concentration, and by the time I reached Second Avenue, the stress sent my body into meltdown. It couldn't possibly get worse than this, I thought as yet another cab came within a quarter-inch of the back bumper. A nick anywhere on the car would guarantee I lose my job--that much was obvious--but it just might cost me my life as well. Since there was obviously not a parking spot, legal or otherwise, in the middle of the day, I called the vet's office from outside and asked them to bring Madelaine to me. A kindly woman emerged a few minutes later (just enough time for me to field another call from Miranda, this one asking why I wasn't back at the office yet) with a whimpering, sniffling puppy. The woman showed me Madelaine's stitched-up belly and told me to drive very, very carefully because the dog was "experiencing some discomfort." Right, lady. I'm driving very, very carefully solely to save my job and possibly my life--if the dog benefits from this, it's just a bonus.
With Madelaine curled up on the passenger seat, I lit another cigarette and rubbed my freezing bare feet so my toes could resume gripping the clutch and brake pedal. Clutch, gas, shift, release clutch, I chanted, trying to ignore the dog's pitiful howls every time I accelerated. She alternated between crying, whining, and snorting. By the time we reached Miranda's building, the pup was nearly hysterical. I tried to soothe her, but she could sense my insincerity--and besides, I had no free hands with which to offer a reassuring pat or nuzzle. So this was what four years of diagramming and deconstructing books, plays, short stories, and poems were for: a chance to comfort a small, white, batlike bulldog while trying not to demolish someone else's really, really expensive car. Sweet life. Just as I had always dreamed.
I managed to dump the car at the garage and the dog with Miranda's doorman without further incident, but my hands were still shaking when I climbed into the chauffeured Town Car that had been following me all over town. The driver looked at me sympathetically and made some supportive comment about the difficulty of stick shifts, but I didn't feel much like chatting.
"Just heading back to the Elias-Clark building," I said with a long sigh as the driver pulled around the block and headed south on Park Avenue. Since I rode the route every day--sometimes twice--I knew I had exactly eight minutes to breathe and collect myself and possibly even figure out a way to disguise the ash and sweat stains that had become permanent features on the Gucci suede. The shoes--well, those were beyond hope, at least until they could be fixed by the fleet of shoemakers Runway kept for such emergencies. The ride was actually over in six and a half minutes, and I had no choice but to hobble like an off-balance giraffe on my one flat, one four-inch heel arrangement. A quick stop in the Closet turned up a brand-new pair of knee-high maroon-colored Jimmy Choos that looked great with the leather skirt I grabbed, tossing the suede pants in the "Couture Cleaning" pile (where the basic prices for dry cleaning started at seventy-five dollars per item). The only stop left was a quick visit to the Beauty Closet, where one of the editors there took one look at my sweat-streaked makeup and whipped out a trunk full of fixers.
Not bad, I thought, looking in one of the omnipresent full-length mirrors. You might not even know that mere minutes before I was hovering precariously close to murdering myself and everyone around me. I strolled confidently into the assistants' suite outside Miranda's office and quietly took my seat, looking forward to a few free minutes before she returned from lunch.
"And-re-ah," she called from her starkly furnished, deliberately cold office. "Where are the car and the puppy?"
I leaped out of my seat and ran as fast as was possible on plush carpeting while wearing five-inch heels and stood before her desk. "I left the car with the garage attendant and Madelaine with your doorman, Miranda," I said, proud to have completed both tasks without killing the car, the dog, or myself.
"And why would you do something like that?" she snarled, looking up from her copy of Women's Wear Daily for the first time since I'd walked in. "I specifically requested that you bring both of them to the office, since the girls will be here momentarily and we need to leave."
"Oh, well, actually, I thought you said that you wanted them to--"
"Enough. The details of your incompetence interest me very little. Go get the car and the puppy and bring them here. I'm expecting we'll be all ready to leave in fifteen minutes. Understood?"
From the Hardcover edition.
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