Format:
Book
Author:
Title:
Publisher, Date:
New York, New York : Viking, 2014.
Description:
343 pages ; 24 cm
Summary:
"A novel of Mary Cassatt and Edgar Degas's great romance from the New York Times bestselling author of My Name Is Mary Sutter The young Mary Cassatt never thought moving to Paris after the Civil War to be an artist was going to be easy, but when, after a decade of work, her submission to the Paris Salon is rejected, Mary's fierce determination wavers. Her father is begging her to return to Philadelphia to find a husband before it is too late, her sister Lydia is falling mysteriously ill, and worse, Mary is beginning to doubt herself. Then one evening a friend introduces her to Edgar Degas and her life changes forever. Years later she will learn that he had begged for the introduction, but in that moment their meeting seems a miracle. So begins the defining period of her life and the most tempestuous of relationships"-- Provided by publisher.
Subjects:
Genre:
Notes:
Includes bibliographical references.
Web Site:
LCCN:
2013036813
ISBN:
9780670785797 (hardback)
0670785792 (hardback)
Other Number:
852221503
System Availability:
7
Current Holds:
0
# Local items:
7
Control Number:
1040438
Call Number:
813/.6
Course Reserves:
0
# Local items in:
7
# System items in:
7
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  Library Journal Review

Paris in the mid-to-late 19th century was the place to be if you were an artist, especially an artist trying to shake up the stodgy traditional art institutions. It was the beginning of impressionism, a movement whose birth was quite painful for all involved. Oliveira's (My Name Is Mary Sutter) new novel purports to be about the decade-long, convoluted, and complicated relationship between Mary Cassatt and Edgar Degas, yet it encompasses so much more-the relationships among other luminaries of the period, the difficulty of being a single woman and an artist in a harsh and often unforgiving male-dominated world, and the complexities of dealing with family. -VERDICT Oliveira has woven a rich tapestry of the artist's life in Belle Epoque Paris, in a close, intimate rendering rather than a grand, sweeping landscape. Readers who enjoy historical fiction set in this time period will enjoy the novel, as will those who like fictionalized accounts of historical figures.-Pam O'Sullivan, Coll. at Brockport Lib., SUNY (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Publishers Weekly Review

In her second novel, Oliveira (My Name Is Mary Sutter) expertly draws us into the life of another famous Mary-this time in 1877 Paris, where a revolution is underway in the art world, as a few renegade painters snub (and are snubbed by) the juried exhibitions at the Paris Salon, which were then organized by the Academie des Beaux-Arts. American painter Mary Cassatt has just moved to the City of Light, not to fall in love, but to pursue her dream of becoming an artist, and she longs to get the academy's stamp of approval. But a chance meeting with Edgar Degas, one of the leading impressionist-era rebels, changes the course of her career and life. Though it's never been proven that the two painters were lovers, Oliveira explores the next 40 turbulent years of their relationship, and what might have been, crafting a tale of inspiration, desire, and restraint between two great artists of the 19th century. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.
Summary
'Paint love, he once said to her. You must always paint love.'The young Mary Cassatt never thought moving to Paris after the Civil War was going to be easy, but when, after a decade of work, her submission to the Paris Salon is rejected, Mary's fierce determination wavers. Her father is imploring her to return to Philadelphia to find a husband before it is too late, her sister Lydia is falling mysteriously ill, and worse, Mary is beginning to doubt herself. Then one evening a friend introduces her to Edgar Degas and her life changes forever. Years later she will learn that he had begged the introduction, but in that moment their meeting seems a miracle. So begins the defining period of her life and the most tempestuous of relationships.In I Always Loved You, Robin Oliveira brilliantly re-creates the irresistible world of Bell Époque Paris, writing with grace and uncommon insight into the passion and foibles of the human heart.'What a joy it is to be back in Bell Époque Paris with my old artist friends, guided by the masterful pen of Robin Oliveira whose finely crafted language brings to light the complicated relationships of four of the principals of the Impressionist movement - Cassatt, Degas, Manet, Morisot. Only an omniscient narrator has the latitude to disclose the private yearnings and fears of these four as they grapple with issues of art execution, scathing reviews, self-doubt, elusive fame, tempestuous love, and creeping morality. Here, in beautiful prose, juicy with nuance and depth, is the intimate, heart-wrenching story behind Impressionist art history, with Mary Cassatt at its center. A glorious achievement.' Susan Vreeland, author of Luncheon of the Boating Party'I Always Loved You is a marvelous work, enthralling, illuminating, and beautifully rendered. Robin Oliveira brings Bell Époque Paris and the fascinating artists and writers who walked its streets and filled its salons to the fullness of vivid, fiercely passionate life.' Jennifer Chiaverini, author of Mrs. Lincoln's Dressmaker'Oliveira's breathtaking, cinematic novel transported me to late-nineteenth-century Paris, to lively salons and cafés, and to the refuge of the studio . . . This story reveals what it means to be an artist who is also a woman, and you will feel both the anguish and the triumph down in your bones.' Kelly O'Connor McNees, author of The Lost Summer of Louisa May Alcott'In artfully crafted prose as penetrating and radiant as an Impressionist masterpiece, Robin Oliveira's moving portrait of Mary Cassatt and Edgar Degas is a poignant reminder that beneath the majestic sweep of history and ideas are men and women with yearnings and trepidations as urgent and palpable as our own. I Always Loved You evokes, in brilliant detail, the nuances of culture, art, and society in the cafés and salons of late-nineteenth-century Paris while bringing to life the spellbinding whirl of artists, writers, and savants who made La Belle Époque legendary.' John Pipkin, author of Woodsburner
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